C’est dans le besoin qu’on reconnaît ses amis

Bazille studio

French Impressionist painter Jean Frédéric Bazille was born on December 6, 1841. His wealthy family lived in Montpellier, in the south of France. He was inspired to pursue painting after seeing Eugène Delacroix’s work, but his family wasn’t too supportive. Studying medicine was a condition for studying art as well.


Bazille moved to Paris where he met Renoir and Sisley. Failing his medical exams decided his fate, and he began to study art full time. He used his wealth to help support his friends by allowing them to paint in his studio and use his materials. He was primarily a painter of people, but he embraced the concept of painting en plein air rather than in the studio.


When the Franco-Prussian war broke out, Bazille joined up right away. He died in battle on November 28, 1870 at only 28 years of age. Who knows what he might have achieved? As it is, his paintings hang in the musée d’Orsay as well as other great collections. That’s Bazille’s portrait of his friend Renoir, below.


Today’s expression, c’est dans le besoin qu’on reconnaît ses amis (seh dahn luh bezwahn kon ruhkoneh sayz amee), means “it’s in need that one knows one’s friends.” We’d say, “a friend in need is a friend indeed.” Bazille was certainly that to the other Impressionists.

512GNY2RQZL__SL75_Read more about the friendship between Monet and Bazille

About Patricia Gilbert

Patricia Gilbert is a French teacher. She's Canadian, lives in the United States, but dreams of living in France. Follow her on Instagram @Onequalitythefinest and on Twitter @1qualthefinest.
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6 Responses to C’est dans le besoin qu’on reconnaît ses amis

  1. We lost so many great painters so young, including my favorite Egon Schiele.

  2. Hi, I love the phonetic translation. I went to the Hopper exhibition at the Grand Palais, in November, and learnt that he came to Paris three times to study the impressionists. The exhibit shows how he was influenced and how he used certain impressionist effects in his painting. For example one of the theatre paintings, in which the orchestra is the subject, like some of Monet’s work.

  3. Pingback: Besoin d’amour / Nevoie de dragoste | Mariana Bendou

  4. Pingback: Les Impressionnistes en privé | One quality, the finest.

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